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Pitch perception

Validation and applicability of the music ear test on a large Chinese sample

Xiaoyu Wang, Xiubo Ren, Shidan Wang, Dan Yang, Shilin Liu, Meihui Li, Mingyi Yang, Yintong Liu, Qiujian Xu

published 07 Feb 2024

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Convergent evolution in a large cross-cultural database of musical scales

John M. McBride, Sam Passmore, Tsvi Tlusty

published 13 Dec 2023

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Soundscapes of morality: Linking music preferences and moral values through lyrics and audio

Vjosa Preniqi, Kyriaki Kalimeri, Charalampos Saitis

published 29 Nov 2023

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How many categories are there in crossmodal correspondences? A study based on exploratory factor analysis

Yuka Ohtake, Kanji Tanaka, Kentaro Yamamoto

published 14 Nov 2023

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Acoustic correlates of perceived personality from Korean utterances in a formal communicative setting

Jieun Song, Minjeong Kim, Jaehan Park

published 31 Oct 2023

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The more the better? Effects of L1 tonal density and typology on the perception of non-native tones

Min Zhu, Fei Chen, Xiaoxiang Chen, Yuxiao Yang

published 21 Sep 2023

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Evidence for a universal association of auditory roughness with musical stability

Andrew J. Milne, Eline A. Smit, Hannah S. Sarvasy, Roger T. Dean

published 20 Sep 2023

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An automatic music generation and evaluation method based on transfer learning

Yi Guo, Yangcheng Liu, Ting Zhou, Liang Xu, Qianxue Zhang

published 10 May 2023

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Algorithmic voice transformations reveal the phonological basis of language-familiarity effects in cross-cultural emotion judgments

Tomoya Nakai, Laura Rachman, Pablo Arias Sarah, Kazuo Okanoya, Jean-Julien Aucouturier

published 03 May 2023

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Recognition of brief sounds in rapid serial auditory presentation

Merve Akça, Jonna Katariina Vuoskoski, Bruno Laeng, Laura Bishop

published 13 Apr 2023

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The relationship between musical training and the processing of audiovisual correspondences: Evidence from a reaction time task

Riku Ihalainen, Georgios Kotsaridis, Ana B. Vivas, Evangelos Paraskevopoulos

published 06 Apr 2023

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The f0 perturbation effects in focus marking: Evidence from Korean and Japanese

Si Chen, Yitian Hong, Bei Li, Eunjin Chun

published 23 Mar 2023

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Fingerprints, barcode sequences and quasi-phylogenies–Tools for analysing polyphonic music

Gerhard Rambold, Dieter Neubacher, Siegfried Schießl

published 02 Mar 2023

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