Peer Review History
| Original SubmissionMarch 18, 2025 |
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Dear Dr. zhaolong, Please submit your revised manuscript by Aug 10 2025 11:59PM. If you will need more time than this to complete your revisions, please reply to this message or contact the journal office at plosone@plos.org . When you're ready to submit your revision, log on to https://www.editorialmanager.com/pone/ and select the 'Submissions Needing Revision' folder to locate your manuscript file.
If you would like to make changes to your financial disclosure, please include your updated statement in your cover letter. Guidelines for resubmitting your figure files are available below the reviewer comments at the end of this letter. If applicable, we recommend that you deposit your laboratory protocols in protocols.io to enhance the reproducibility of your results. Protocols.io assigns your protocol its own identifier (DOI) so that it can be cited independently in the future. For instructions see: https://journals.plos.org/plosone/s/submission-guidelines#loc-laboratory-protocols . Additionally, PLOS ONE offers an option for publishing peer-reviewed Lab Protocol articles, which describe protocols hosted on protocols.io. Read more information on sharing protocols at https://plos.org/protocols?utm_medium=editorial-email&utm_source=authorletters&utm_campaign=protocols . We look forward to receiving your revised manuscript. Kind regards, Kizito Ogedi Alakwe, Ph.D Guest Editor PLOS ONE Journal requirements: When submitting your revision, we need you to address these additional requirements. 1. Please ensure that your manuscript meets PLOS ONE's style requirements, including those for file naming. The PLOS ONE style templates can be found at https://journals.plos.org/plosone/s/file?id=wjVg/PLOSOne_formatting_sample_main_body.pdf and 2. Thank you for stating the following financial disclosure: “This work was supported by Educational Commission of Liaoning Province of China (No. W2019013)�Liaoning Provincial Education Science "13th Five-Year Plan" Period (No. JG20DB276).” Please state what role the funders took in the study. If the funders had no role, please state: "The funders had no role in study design, data collection and analysis, decision to publish, or preparation of the manuscript." If this statement is not correct you must amend it as needed. Please include this amended Role of Funder statement in your cover letter; we will change the online submission form on your behalf. 3. Thank you for stating the following in the Acknowledgments Section of your manuscript: “This work was supported by Educational Commission of Liaoning Province of China (No. W2019013)�Liaoning Provincial Education Science "13th Five-Year Plan" Period (No. JG20DB276).” We note that you have provided funding information that is currently declared in your Funding Statement. However, funding information should not appear in the Acknowledgments section or other areas of your manuscript. We will only publish funding information present in the Funding Statement section of the online submission form. Please remove any funding-related text from the manuscript and let us know how you would like to update your Funding Statement. Currently, your Funding Statement reads as follows: “This work was supported by Educational Commission of Liaoning Province of China (No. W2019013)�Liaoning Provincial Education Science "13th Five-Year Plan" Period (No. JG20DB276).” Please include your amended statements within your cover letter; we will change the online submission form on your behalf. 4. We note that your Data Availability Statement is currently as follows: [All relevant data are within the manuscript and its Supporting Information files.] Please confirm at this time whether or not your submission contains all raw data required to replicate the results of your study. Authors must share the “minimal data set” for their submission. PLOS defines the minimal data set to consist of the data required to replicate all study findings reported in the article, as well as related metadata and methods (https://journals.plos.org/plosone/s/data-availability#loc-minimal-data-set-definition). For example, authors should submit the following data: - The values behind the means, standard deviations and other measures reported; - The values used to build graphs; - The points extracted from images for analysis. Authors do not need to submit their entire data set if only a portion of the data was used in the reported study. If your submission does not contain these data, please either upload them as Supporting Information files or deposit them to a stable, public repository and provide us with the relevant URLs, DOIs, or accession numbers. For a list of recommended repositories, please see https://journals.plos.org/plosone/s/recommended-repositories. If there are ethical or legal restrictions on sharing a de-identified data set, please explain them in detail (e.g., data contain potentially sensitive information, data are owned by a third-party organization, etc.) and who has imposed them (e.g., an ethics committee). Please also provide contact information for a data access committee, ethics committee, or other institutional body to which data requests may be sent. If data are owned by a third party, please indicate how others may request data access. 5. Your ethics statement should only appear in the Methods section of your manuscript. If your ethics statement is written in any section besides the Methods, please move it to the Methods section and delete it from any other section. Please ensure that your ethics statement is included in your manuscript, as the ethics statement entered into the online submission form will not be published alongside your manuscript. Additional Editor Comments: Thank you for your submission and for the thoughtful engagement with the topic. Having reviewed the manuscript alongside the peer reviewers’ comments, I would like to highlight a few areas that require your attention: 1. Conceptual Clarity: It is imperative that the key concepts used in the paper are clearly defined and situated within the relevant literature. This will enhance the conceptual grounding of your arguments. 2. Methodological Rigor: A dedicated methodology section should be included. Please ensure that your research design, data collection, and analytical approach are clearly articulated. This will significantly strengthen the paper’s academic robustness. 3. Presentation of Findings: As noted by one of the reviewers, the findings should be presented in a structured manner. Consider reworking this section for clarity, highlighting key insights and linking them more explicitly to your research questions or objectives. 4. Referencing Style: Kindly ensure that all citations and references conform to a uniform and accepted referencing style throughout the manuscript. Please incorporate these points along with the detailed reviewer suggestions in your revision. [Note: HTML markup is below. Please do not edit.] Reviewers' comments: Reviewer's Responses to Questions Comments to the Author 1. Is the manuscript technically sound, and do the data support the conclusions? Reviewer #1: Partly Reviewer #2: Partly ********** 2. Has the statistical analysis been performed appropriately and rigorously? -->?> Reviewer #1: I Don't Know Reviewer #2: Yes ********** 3. Have the authors made all data underlying the findings in their manuscript fully available??> The PLOS Data policy Reviewer #1: Yes Reviewer #2: Yes ********** 4. Is the manuscript presented in an intelligible fashion and written in standard English??> Reviewer #1: No Reviewer #2: Yes ********** Reviewer #1: Thanks for submitting your article. It is clear that your research seeks to understand how the KANO-AHP model can be used by cities such as Hetuala in understanding the demand for creative cultural products. However, there is a need to establish the concept of creative cultural products in your paper (linked to place branding) as this is a major focus of this research - what are these products? what are the categories? why do cities need them? how have other cities used them? what does Hetuala currently have? who are the current designers of such products in Hetuala? - residents or foreigners, who are the customers of these products? what are the social and economic benefits to the residents or the merchandisers of these products? is there another city doing this well that can be used as a case-in-point? Currently, there has been more focus on the models used in justifying the objective of your study but you still need to situate your paper in the field of place branding/ cultural tourism. Please see below more comments; Abstract - Please include the methodology used in this research. The interviews and survey conducted. - Please, remain consistent with the language ' cultural and creative' or ' creative cultural products' (This applies to the whole work) Introduction - Please define what you mean by cultural/creative products and give xamples of what you mean by cultural and creative products. Do you mean souvenirs, keepsakes or food or folktales or clothing or experiences that evoke the culture of the host country or city? what are some of those global examples? It is recommended that this is established in the introduction. What are the social or economic or political benefits of cultural and creative products in literature? why is it important for a city? does it boost the gdp/ tourism/ brand perception etc? - You have identified the situation with the type of cultural and creative products in Hetuala, but not referenced the source of this information. Was this research conducted by the authors through participant observation or is available in literature- please reference. - Most of the concepts in this paper need to be better justified with relatable examples. For example, when you say daily necessities in section 1.2, you need to give examples of the food and clothing as is relevant to Hetuala city. As this shows the uniqueness of the cultural and creative practices. Also merely listing the buildings unique to the city doesn't show the cultural significance. Is there something about some of these buildings that stand out? e.g the spiritual significance or the age of the building? Are they linked to cultural mythologies that can be further explored for the branding of the city and affiliated cultural and creative products? Methodology - There should be a methodology section that clearly states what method you have used, this has been briefly done in 3.1.1 but doesnt give a clear justification as to why you have selected tourists (current or prospective?) or product designers (are they all based in Hetuala?). In the city branding concept, there are other stakeholders such as govt administrators, residents, media, industry stakeholders (arts and crafts merchandisers etc), so is there any reason why you have chosen only tourists and product designers for thsi study? Somewhere in your introduction should establish that since you are looking at consumption, you will be focused on the stakeholders that produce and are likely to consumer cultural and creative products. Presentation of findings - The presentation of findings should focus on the responses rather than explaining the KANO model in detail. The results of the analysis should show the results from the interview and questionnaire but it is not clear how the interviews with the product designers have been used here. - Key sections of your work need to be referenced e.g the paragraph on the Qing dynasty and the language spoken in Hetuala. This also applies tot he section on storytelling. References and Language - Please revisit your work and include references for some of the claims that have been made in this research - Also revise language and grammar for more clarity Other recommendations Pls consult other works on cultural and creative products - Design of Tourism Cultural and Creative Products Based on Regional Historical and Cultural Elements. Yinglu Wu1 (2021) - Place branding and local food souvenirs: the ethical attributes of national parks’ brands (Lucia Pizzichini, Valerio Temperini and Gian Luca Gregori, 2020 ) - The use of intangible heritage and creative industries as a tourism asset in the UNESCO creative cities network (Jordi Arcos-Pumarola, Alexandra Georgescu Paquin and Marta Hernández Sitges, 2023) All the best Reviewer #2: I feel that the writer did the job to the best of his or her ability. However, the structure of the work could have been improved with a more logical sequence in arranging the sections of the writing using the common IMRAD approach: Introduction, Literature Review, Methodology, Results, and Discussion. Additionally, APA 7th edition should be applied consistently in both in-text citation and referencing (assuming that is required). Furthermore, some of the ideas related to the history of the city that are currently placed in the discussion section should be included in the introduction and literature review sections of the text. ********** what does this mean? ). If published, this will include your full peer review and any attached files. If you choose “no”, your identity will remain anonymous but your review may still be made public. Do you want your identity to be public for this peer review? For information about this choice, including consent withdrawal, please see our Privacy Policy Reviewer #1: No Reviewer #2: Yes: Nzeaka, Emmanuel Ezimako ********** [NOTE: If reviewer comments were submitted as an attachment file, they will be attached to this email and accessible via the submission site. Please log into your account, locate the manuscript record, and check for the action link "View Attachments". If this link does not appear, there are no attachment files.] While revising your submission, please upload your figure files to the Preflight Analysis and Conversion Engine (PACE) digital diagnostic tool, https://pacev2.apexcovantage.com/ . PACE helps ensure that figures meet PLOS requirements. To use PACE, you must first register as a user. Registration is free. Then, login and navigate to the UPLOAD tab, where you will find detailed instructions on how to use the tool. If you encounter any issues or have any questions when using PACE, please email PLOS at figures@plos.org . Please note that Supporting Information files do not need this step.
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| Revision 1 |
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Dear Dr. zhaolong, Thank you for submitting your manuscript to PLOS ONE. After careful consideration, we feel that it has merit but does not fully meet PLOS ONE’s publication criteria as it currently stands. Therefore, we invite you to submit a revised version of the manuscript that addresses the points raised during the review process. Please submit your revised manuscript by Nov 07 2025 11:59PM. If you will need more time than this to complete your revisions, please reply to this message or contact the journal office at plosone@plos.org . When you're ready to submit your revision, log on to https://www.editorialmanager.com/pone/ and select the 'Submissions Needing Revision' folder to locate your manuscript file.
If you would like to make changes to your financial disclosure, please include your updated statement in your cover letter. Guidelines for resubmitting your figure files are available below the reviewer comments at the end of this letter. If applicable, we recommend that you deposit your laboratory protocols in protocols.io to enhance the reproducibility of your results. Protocols.io assigns your protocol its own identifier (DOI) so that it can be cited independently in the future. For instructions see: https://journals.plos.org/plosone/s/submission-guidelines#loc-laboratory-protocols . Additionally, PLOS ONE offers an option for publishing peer-reviewed Lab Protocol articles, which describe protocols hosted on protocols.io. Read more information on sharing protocols at https://plos.org/protocols?utm_medium=editorial-email&utm_source=authorletters&utm_campaign=protocols . We look forward to receiving your revised manuscript. Kind regards, Kizito Ogedi Alakwe, Ph.D Guest Editor PLOS ONE Journal Requirements: If the reviewer comments include a recommendation to cite specific previously published works, please review and evaluate these publications to determine whether they are relevant and should be cited. There is no requirement to cite these works unless the editor has indicated otherwise. Additional Editor Comments: Thank you for submitting your manuscript to this journal. The reviewers and I found the paper topical and engaging; however, it requires substantial revisions before it can be considered for publication. I encourage you to carefully address the reviewers’ comments and suggestions, as these will significantly strengthen the quality, clarity, and overall contribution of your work. Once revised, your manuscript should be resubmitted for further consideration. We appreciate the effort you have put into this study and look forward to receiving your thoroughly revised version. [Note: HTML markup is below. Please do not edit.] [NOTE: If reviewer comments were submitted as an attachment file, they will be attached to this email and accessible via the submission site. Please log into your account, locate the manuscript record, and check for the action link "View Attachments". If this link does not appear, there are no attachment files.] While revising your submission, please upload your figure files to the Preflight Analysis and Conversion Engine (PACE) digital diagnostic tool, https://pacev2.apexcovantage.com/ . PACE helps ensure that figures meet PLOS requirements. To use PACE, you must first register as a user. Registration is free. Then, login and navigate to the UPLOAD tab, where you will find detailed instructions on how to use the tool. If you encounter any issues or have any questions when using PACE, please email PLOS at figures@plos.org . Please note that Supporting Information files do not need this step. |
| Revision 2 |
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Design Strategies for Tourism Cultural and Creative Products of Hetuala City Based on KANO and AHP PONE-D-25-11994R2 Dear Dr. zhaolong, We’re pleased to inform you that your manuscript has been judged scientifically suitable for publication and will be formally accepted for publication once it meets all outstanding technical requirements. Within one week, you’ll receive an e-mail detailing the required amendments. When these have been addressed, you’ll receive a formal acceptance letter and your manuscript will be scheduled for publication. An invoice will be generated when your article is formally accepted. Please note, if your institution has a publishing partnership with PLOS and your article meets the relevant criteria, all or part of your publication costs will be covered. Please make sure your user information is up-to-date by logging into Editorial Manager at Editorial Manager® and clicking the ‘Update My Information' link at the top of the page. For questions related to billing, please contact billing support . If your institution or institutions have a press office, please notify them about your upcoming paper to help maximize its impact. If they’ll be preparing press materials, please inform our press team as soon as possible -- no later than 48 hours after receiving the formal acceptance. Your manuscript will remain under strict press embargo until 2 pm Eastern Time on the date of publication. For more information, please contact onepress@plos.org. Kind regards, Kizito Ogedi Alakwe, Ph.D Guest Editor PLOS ONE Additional Editor Comments (optional): Reviewers' comments: |
| Formally Accepted |
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PONE-D-25-11994R2 PLOS ONE Dear Dr. Liu, I'm pleased to inform you that your manuscript has been deemed suitable for publication in PLOS ONE. Congratulations! Your manuscript is now being handed over to our production team. At this stage, our production department will prepare your paper for publication. This includes ensuring the following: * All references, tables, and figures are properly cited * All relevant supporting information is included in the manuscript submission, * There are no issues that prevent the paper from being properly typeset You will receive further instructions from the production team, including instructions on how to review your proof when it is ready. Please keep in mind that we are working through a large volume of accepted articles, so please give us a few days to review your paper and let you know the next and final steps. Lastly, if your institution or institutions have a press office, please let them know about your upcoming paper now to help maximize its impact. If they'll be preparing press materials, please inform our press team within the next 48 hours. Your manuscript will remain under strict press embargo until 2 pm Eastern Time on the date of publication. For more information, please contact onepress@plos.org. You will receive an invoice from PLOS for your publication fee after your manuscript has reached the completed accept phase. If you receive an email requesting payment before acceptance or for any other service, this may be a phishing scheme. Learn how to identify phishing emails and protect your accounts at https://explore.plos.org/phishing. If we can help with anything else, please email us at customercare@plos.org. Thank you for submitting your work to PLOS ONE and supporting open access. Kind regards, PLOS ONE Editorial Office Staff on behalf of Dr. Kizito Ogedi Alakwe Guest Editor PLOS ONE |
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