Peer Review History
| Original SubmissionJuly 4, 2024 |
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PONE-D-24-26875Effects of Music Advertised to Support Focus on Mood and Processing SpeedPLOS ONE Dear Dr. Ripolles, Thank you for submitting your manuscript to PLOS ONE. After careful consideration, we feel that it has merit but does not fully meet PLOS ONE’s publication criteria as it currently stands. Therefore, we invite you to submit a revised version of the manuscript that addresses the points raised during the review process. Two experts in the field have carefully reviewed the manuscript entitled "Effects of Music Advertised to Support Focus on Mood and Processing Speed" . Both reviewers have made observations that need to be addressed (see below). In light of these reviews, I am requesting a minor revision and resubmission, in which you will need to respond to each point made in the reviews. Please submit your revised manuscript by Oct 10 2024 11:59PM. If you will need more time than this to complete your revisions, please reply to this message or contact the journal office at plosone@plos.org. When you're ready to submit your revision, log on to https://www.editorialmanager.com/pone/ and select the 'Submissions Needing Revision' folder to locate your manuscript file. Please include the following items when submitting your revised manuscript:
If applicable, we recommend that you deposit your laboratory protocols in protocols.io to enhance the reproducibility of your results. Protocols.io assigns your protocol its own identifier (DOI) so that it can be cited independently in the future. For instructions see: https://journals.plos.org/plosone/s/submission-guidelines#loc-laboratory-protocols. Additionally, PLOS ONE offers an option for publishing peer-reviewed Lab Protocol articles, which describe protocols hosted on protocols.io. Read more information on sharing protocols at https://plos.org/protocols?utm_medium=editorial-email&utm_source=authorletters&utm_campaign=protocols. We look forward to receiving your revised manuscript. Kind regards, Bruno Alejandro Mesz, Ph.D. Academic Editor PLOS ONE Journal Requirements: When submitting your revision, we need you to address these additional requirements. 1. Please ensure that your manuscript meets PLOS ONE's style requirements, including those for file naming. The PLOS ONE style templates can be found at https://journals.plos.org/plosone/s/file?id=wjVg/PLOSOne_formatting_sample_main_body.pdf and 2. Please note that PLOS ONE has specific guidelines on code sharing for submissions in which author-generated code underpins the findings in the manuscript. In these cases, we expect all author-generated code to be made available without restrictions upon publication of the work. Please review our guidelines at https://journals.plos.org/plosone/s/materials-and-software-sharing#loc-sharing-code and ensure that your code is shared in a way that follows best practice and facilitates reproducibility and reuse. 3. Thank you for stating the following in the Acknowledgments Section of your manuscript: "This work was funded by a grant from the company that provided the tracks for the work flow condition to Dr. Ripolles." We note that you have provided additional information within the Acknowledgements Section that is not currently declared in your Funding Statement. Please note that funding information should not appear in the Acknowledgments section or other areas of your manuscript. We will only publish funding information present in the Funding Statement section of the online submission form. Please remove any funding-related text from the manuscript and let us know how you would like to update your Funding Statement. Currently, your Funding Statement reads as follows: "This work was funded by a grant from the company that provided the tracks for the work flow condition to Dr. Ripolles." Please include your amended statements within your cover letter; we will change the online submission form on your behalf. 4. We note that the grant information you provided in the ‘Funding Information’ and ‘Financial Disclosure’ sections do not match. When you resubmit, please ensure that you provide the correct grant numbers for the awards you received for your study in the ‘Funding Information’ section. 5. Thank you for stating the following in the Competing Interests section: "Dr. Tomaino serves as the music therapy advisor at the company that provided the tracks for the work flow condition. Dr. Bowling serves as the neuroscience advisor at the company that provided the tracks for the work flow condition. This work was funded by a grant from the company that provided the tracks for the work flow condition to Dr. Ripolles. Dr. Orpella has no competing interests." Please confirm that this does not alter your adherence to all PLOS ONE policies on sharing data and materials, by including the following statement: "This does not alter our adherence to PLOS ONE policies on sharing data and materials.” (as detailed online in our guide for authors http://journals.plos.org/plosone/s/competing-interests). If there are restrictions on sharing of data and/or materials, please state these. Please note that we cannot proceed with consideration of your article until this information has been declared. Please include your updated Competing Interests statement in your cover letter; we will change the online submission form on your behalf. 6. Please include captions for your Supporting Information files at the end of your manuscript, and update any in-text citations to match accordingly. Please see our Supporting Information guidelines for more information: http://journals.plos.org/plosone/s/supporting-information. 7. Please review your reference list to ensure that it is complete and correct. If you have cited papers that have been retracted, please include the rationale for doing so in the manuscript text, or remove these references and replace them with relevant current references. Any changes to the reference list should be mentioned in the rebuttal letter that accompanies your revised manuscript. If you need to cite a retracted article, indicate the article’s retracted status in the References list and also include a citation and full reference for the retraction notice. [Note: HTML markup is below. Please do not edit.] Reviewers' comments: Reviewer's Responses to Questions Comments to the Author 1. Is the manuscript technically sound, and do the data support the conclusions? The manuscript must describe a technically sound piece of scientific research with data that supports the conclusions. Experiments must have been conducted rigorously, with appropriate controls, replication, and sample sizes. The conclusions must be drawn appropriately based on the data presented. Reviewer #1: Yes Reviewer #2: Yes ********** 2. Has the statistical analysis been performed appropriately and rigorously? Reviewer #1: Yes Reviewer #2: Yes ********** 3. Have the authors made all data underlying the findings in their manuscript fully available? The PLOS Data policy requires authors to make all data underlying the findings described in their manuscript fully available without restriction, with rare exception (please refer to the Data Availability Statement in the manuscript PDF file). The data should be provided as part of the manuscript or its supporting information, or deposited to a public repository. For example, in addition to summary statistics, the data points behind means, medians and variance measures should be available. If there are restrictions on publicly sharing data—e.g. participant privacy or use of data from a third party—those must be specified. Reviewer #1: Yes Reviewer #2: Yes ********** 4. Is the manuscript presented in an intelligible fashion and written in standard English? PLOS ONE does not copyedit accepted manuscripts, so the language in submitted articles must be clear, correct, and unambiguous. Any typographical or grammatical errors should be corrected at revision, so please note any specific errors here. Reviewer #1: Yes Reviewer #2: Yes ********** 5. Review Comments to the Author Please use the space provided to explain your answers to the questions above. You may also include additional comments for the author, including concerns about dual publication, research ethics, or publication ethics. (Please upload your review as an attachment if it exceeds 20,000 characters) Reviewer #1: ### Summary of paper The current paper evaluates the effects of music advertised to support attentional focus on mood and performance of participants on a cognitively demanding task (the flanker test). The study stands out from previous work as it focuses on evaluating the effect of music in task performance. It is also one of the few studies where the effect is regarding music that is being listened to while the task is being performed (instead of before). The study also investigates the effect of the music in mood and the liking of it by the participants, in order to evaluate possible mechanisms through which changes in task performance may be explained (in particular, the arousal-mood theory). In a between-subjects design, they compared two music sets advertised to improve performance (”work flow” and “deep focus”) with two control conditions: popular music and office background noise. Groups were assessed to be comparable in terms of basic demographic, music-related, and mental health variables. Results showed that only the “work flow” music yielded performance improvement as decreased RT. Music condition had no effect on task accuracy. The paper clearly states the set of a priori statistic analyses by introducing them in the methods section and then exploratory analyses introduced during the result section. A priori analyses were: similarity of participant groups, effect of audio condition on mood change, effect of audio condition on performance accuracy, and effect of audio condition on performance speed considering sensitivity to musical reward, music training and basal psychological distress. Results showed a main effect of anxiety and sensitivity to musical reward for RT as well as decreased RT for the “Work flow” condition. Exploratory analyses focused on looking for possible modulators of the performance improvement effect. Tests were performed for the effect of basal levels of depression, anxiety and stress as well as mood change. Basal levels of depression, anxiety and stress did not show an effect on performance improvement, but mood change did. Greater mood change correlated with lower RTs over time. Additionally, they verified that changes in mood were not predicted by an interaction of music condition and music familiarity or pleasure. Yet, changes in mood were related to musical pleasure. These results are used to hypothesize that the speed improvement in the task may be due to the music’s ability to upregulate arousal and positive affect simultaneously, which seemed to happen mainly with “work flow” music, as it yielded high pleasure as well as high groove ratings, contrasting other music conditions. The conclusions seem to be well supported by the results and the analysis. The three supplementary tables contain all the raw data mentioned in the paper (acoustic features of the stimuli, background data of the participants and individual trial responses). ### Main comments Here I detail main concerns regarding presentation. 1. One of the main concerns is that I was unable to find the supplementary figures (Figures S1-S4). 2. The explanation on how the stimuli was selected lacks detail. In the Stimuli section (l117 - l161) it is said that the tracks were sampled from a larger set. No detail is provided on the sampling method. Later on, in the discussion (l489) it is said “While these sets were assembled with the intention of maintaining uniformity in musical features”. This should be explained in the stimuli section. Moreover, some further analysis on how similar the music sets were (e.g.: Silhouette score) could better illustrate the picture. 3. In the results for Group categorization (l324), it is stated: "Music genre preferences varied within groups but were comparable across them”. Here, it is not clear what the music genre preferences refer to or how they are comparable. The text references Table S2, which contains the Pleasure, Familiarity and Groove ratings. If this is what the text refers too, then this is explained in the discussion section, when Bayesian stats are presented (l513-l517). These results should be presented in the results section. 4. In the discussion, a main difference is stated between the “Work flow” condition and other conditions based on musical attributes of the music; namely, “musical features closely associated with perceived arousal, such as spectral flux” as well as strong rhythmic features such as pulse clarity. Another important difference is given by the “Work flow” sets being comprised of a single coherent track, while the other musical conditions (excluding “Office”) having multiple tracks with silence in between. I would argue that the entrainment allowed by a coherent continuous track could be part of the reasons for improved RT, or the cognitive load of adapting to a changing auditory environment a hindrance to the benefits of music. ### Minor comments - p6, 155: "The office noise track was generated with the following 155 settings on the sound generator web page" - I would add an explanation on the criterion by which these settings were selected. - p7, 164: I would report MATLAB version used, as MIRToolbox has shown to work differently with different MATLAB versions. - p11, 267: "The same procedure was used..." - I am confused on which procedure this is as this is for only post-measured variables instead of pre-post (which is what the last analysis referred to). Is it the same analysis as the previous paragraph? - p17: "it also included the three-way interaction between audio condition, trial number, and DASS21 anxiety subscore." - Does this model also contain the previous terms with these variables (i.e.: AudioCondition*TrialNumber + DASS21)? - p20, 469: DB and CT introduced out of nowhere Reviewer #2: General comments In this study, the authors wanted to test if music advertised as able to improve work flow or to engage listeners in deep focus affects a cognitively demanding task (flanker test). They also tested if this music affected the listeners’ mood and state. They test this by running an online experiment on MTurk (n~200). The experiment consisted of a series of music, mental health, and mood-related questionnaires followed by a flanker task. This flanker task had to be solved while listening to three types of background music (work flow, deep focus, and pop hits) and a control condition (calm office noise). They found that the Work Flow music significantly improved mood (as measured by PANAS) and differentially decreased RTs with time on the flanker task. They did not find any effect on participants’ accuracy on the flanker task. The manuscript is clear in presenting the research question and all the relevant previous work in the area. The stimuli selection and the experimental procedure and clearly and thoroughly described in the manuscript. The experimental design and the data collected were consistent with the hypothesis they wanted to test. The statistical tools used were generally correct and well-interpreted by the authors. However, there are several points the authors should address for this manuscript to be ready for publication. The main concern is that the significant triple interaction (shown in Figure 6) seems to show a more negative slope of the RTs for the work flow condition but the predicted RTs are larger for most of the trials (~60 out of 72). The authors properly disclosed their conflict of interest. Particular comments P4-L85: Remove the “very” in “very different neural and behavioral responses” unless there is a quantification of this expectation. P4-L94: I will not consider N=196 as a large-scale experiment. Please remove this adjective or add references that support this claim. P5-L110: Why would the authors want to be able to detect a medium effect size with the given statistical power? Please provide a rationale for this decision. What was the dependent variable in your power analysis? The manuscript is full of statistical tests and it should be clear for which one they planned the power. P5-L110: How did the authors estimate the variability for the power analysis? Did they use data from a pilot study or an estimation based on previous studies? Please provide additional information on this matter to the manuscript. P5-L131: Add a reference to support this affirmation: “Given prior research on the effects of listening to pop music during work, we expected this condition to negatively impact on-task performance.“ P7-L168: Supplementary material with details on how the musical features were extracted was not provided in the manuscript. Please add this document to the revised version. P11-L271: ANOVAs assume that residuals are normally distributed, something that rarely happens on count data, especially if you experience any floor or ceiling effect. In the particular case of the data of this study, this assumption is not met mainly because the number of correct responses is not only a count variable but it is bounded between 0 and 18 with most of its mass (for most subjects) close to 18. The authors could explore models for bounded count data (generalized linear mixed-effect models for Poisson or Negative Binomial) to properly model the participant’s responses. A more direct approach could be to replicate the model structure of the RTs but using correct/incorrect as the dependent variable and “logit” as the link function of a generalized linear mixed effect model (although this seems to have convergence issues with your data). This could be the reason for the non-significant results on page 16 (L388 to L397). P11-L276: I do not think the substantial variability is a reason to use mixed-effect models. If you think that is the case please provide a quantifiable definition of substantial and references that justify the relationship with that and the recommendation to use linear mixed models. P13-L314: There is an extra “)” after “noise”. P13-L319: Figure S1 was not in the manuscript. Please add this document to the revised version. P13-L320: A BF of 2.11 is usually not considered strong evidence for a given hypothesis. Please better explain the group differences in musical training. P13-L324: Table S2 was not in the manuscript. Please add this document to the revised version. P13-L327: Add the individual data points to Figure 3A. P13-L327: It is not clear if the only statistically significant difference condition was work flow. I assume that when it is not mentioned the results were nonsignificant but please, if that is the case, make it explicit. P13-L330: Clarify how you corrected for multiple comparisons when running the one-sample t-tests. P14-L355: Add the individual data points to Figure 4. P14-L361: When using null-hypothesis statistical testing the results are dichotomical: Differences are either different from zero (given a significance level set by the selection of alpha) or not. The authors should remove the “marginally less” statement from the text and the use of * for p=0.88 from the figure. This last issue is especially problematic since it could be mistaken by the more common use of * for p<0.05. P14-L369: How did the authors phrase the question about familiarity with the “office noise” condition? P16-L384: Figure S5 was not in the manuscript. Please add this document to the revised version. P16-L388: Figure S2 was not in the manuscript. Please add this document to the revised version. P17-L414: Figure S4 was not in the manuscript. Please add this document to the revised version. P17-L418: Authors should provide a table with all the estimated parameters of the fitted model (with CIs). I would recommend they use the modelsummary R package. P17-L421: Please provide a p-value after “(slope; β=-0.421)”. P17-L423: The use of the wording “task performance” could be misleading since what the authors observed is a differential effect of the time on the response time but not on the accuracy of the responses. Please rephrase the last sentence of that paragraph. P18-L425: A non-significant result could mean that there is no difference only if the sample size was determined with an apriori power analysis, otherwise this could attributed to a lack of statistical power. The non-significant three-way interaction does not “indicate” that the observed effect of work flow music on task performance over time was independent of anxiety severity as assessed by the DASS-21” P18-L432: Authors should add a title to the color bar on Figure 6. P18-L432: Two things in Figure 6 are interesting and not addressed in the manuscript: 1- Although larger PANAS scores are associated with a faster improvement of the RTs, it also seems to make the participants respond slower in the work flow condition for the first trials. 2- The predicted RTs cross around trial number 60, and trial number 72 the difference in RTs is quite small compared to the ones at the beginning of the experiment. The authors should explain both these effects in more detail. P18-L447: If I am not mistaken, the authors could not affirm that “These mood effects were not explained by differences between audio conditions in self-reported musical pleasure” since there is a main effect of pleasure on PANAS change. I assume the previous statements refer to the interaction being non-significant, but given that the mean pleasure level is not the same for all the musical stimuli, music's effect on mood could, in fact, be partially mediated by pleasure. ********** 6. PLOS authors have the option to publish the peer review history of their article (what does this mean?). If published, this will include your full peer review and any attached files. If you choose “no”, your identity will remain anonymous but your review may still be made public. Do you want your identity to be public for this peer review? For information about this choice, including consent withdrawal, please see our Privacy Policy. Reviewer #1: Yes: Martin Alejandro Miguel Reviewer #2: Yes: Ignacio Spiousas ********** [NOTE: If reviewer comments were submitted as an attachment file, they will be attached to this email and accessible via the submission site. Please log into your account, locate the manuscript record, and check for the action link "View Attachments". If this link does not appear, there are no attachment files.] While revising your submission, please upload your figure files to the Preflight Analysis and Conversion Engine (PACE) digital diagnostic tool, https://pacev2.apexcovantage.com/. PACE helps ensure that figures meet PLOS requirements. To use PACE, you must first register as a user. Registration is free. Then, login and navigate to the UPLOAD tab, where you will find detailed instructions on how to use the tool. If you encounter any issues or have any questions when using PACE, please email PLOS at figures@plos.org. Please note that Supporting Information files do not need this step. |
| Revision 1 |
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PONE-D-24-26875R1Effects of Music Advertised to Support Focus on Mood and Processing SpeedPLOS ONE Dear Dr. Ripolles, Thank you for submitting your manuscript to PLOS ONE. After careful consideration, we feel that it has merit but does not fully meet PLOS ONE’s publication criteria as it currently stands. Therefore, we invite you to submit a revised version of the manuscript that addresses the points raised during the review process. Both reviewers have now accepted your manuscript. However, one of them believes that there are still two points that require further clarification. After you consider these points, i will submit my decision without sending it again for further revision. Please submit your revised manuscript by Jan 12 2025 11:59PM. If you will need more time than this to complete your revisions, please reply to this message or contact the journal office at plosone@plos.org. When you're ready to submit your revision, log on to https://www.editorialmanager.com/pone/ and select the 'Submissions Needing Revision' folder to locate your manuscript file. Please include the following items when submitting your revised manuscript:
If applicable, we recommend that you deposit your laboratory protocols in protocols.io to enhance the reproducibility of your results. Protocols.io assigns your protocol its own identifier (DOI) so that it can be cited independently in the future. For instructions see: https://journals.plos.org/plosone/s/submission-guidelines#loc-laboratory-protocols. Additionally, PLOS ONE offers an option for publishing peer-reviewed Lab Protocol articles, which describe protocols hosted on protocols.io. Read more information on sharing protocols at https://plos.org/protocols?utm_medium=editorial-email&utm_source=authorletters&utm_campaign=protocols. We look forward to receiving your revised manuscript. Kind regards, Bruno Alejandro Mesz, Ph.D. Academic Editor PLOS ONE Journal Requirements: Please review your reference list to ensure that it is complete and correct. If you have cited papers that have been retracted, please include the rationale for doing so in the manuscript text, or remove these references and replace them with relevant current references. Any changes to the reference list should be mentioned in the rebuttal letter that accompanies your revised manuscript. If you need to cite a retracted article, indicate the article’s retracted status in the References list and also include a citation and full reference for the retraction notice. [Note: HTML markup is below. Please do not edit.] Reviewers' comments: Reviewer's Responses to Questions Comments to the Author 1. If the authors have adequately addressed your comments raised in a previous round of review and you feel that this manuscript is now acceptable for publication, you may indicate that here to bypass the “Comments to the Author” section, enter your conflict of interest statement in the “Confidential to Editor” section, and submit your "Accept" recommendation. Reviewer #1: All comments have been addressed Reviewer #2: All comments have been addressed ********** 2. Is the manuscript technically sound, and do the data support the conclusions? The manuscript must describe a technically sound piece of scientific research with data that supports the conclusions. Experiments must have been conducted rigorously, with appropriate controls, replication, and sample sizes. The conclusions must be drawn appropriately based on the data presented. Reviewer #1: Yes Reviewer #2: Yes ********** 3. Has the statistical analysis been performed appropriately and rigorously? Reviewer #1: Yes Reviewer #2: Yes ********** 4. Have the authors made all data underlying the findings in their manuscript fully available? The PLOS Data policy requires authors to make all data underlying the findings described in their manuscript fully available without restriction, with rare exception (please refer to the Data Availability Statement in the manuscript PDF file). The data should be provided as part of the manuscript or its supporting information, or deposited to a public repository. For example, in addition to summary statistics, the data points behind means, medians and variance measures should be available. If there are restrictions on publicly sharing data—e.g. participant privacy or use of data from a third party—those must be specified. Reviewer #1: Yes Reviewer #2: Yes ********** 5. Is the manuscript presented in an intelligible fashion and written in standard English? PLOS ONE does not copyedit accepted manuscripts, so the language in submitted articles must be clear, correct, and unambiguous. Any typographical or grammatical errors should be corrected at revision, so please note any specific errors here. Reviewer #1: Yes Reviewer #2: Yes ********** 6. Review Comments to the Author Please use the space provided to explain your answers to the questions above. You may also include additional comments for the author, including concerns about dual publication, research ethics, or publication ethics. (Please upload your review as an attachment if it exceeds 20,000 characters) Reviewer #1: All comments have been properly addressed. The missing supplementary material is sound, complementing the main text. The clustering analysis performed on the selected music is satisfactory to understand that the sets in the "deep focus" playlist are similar with each other. This is similar for the sets in the "work flow" playlist, with the exception of one track, which is still better clustered with the "work flow" set. Reviewer #2: The authors have thoroughly addressed all comments, concerns, and suggestions. They accepted the majority and, in cases where they did not, provided a sufficiently robust rationale. However, I believe there are still two points that require further clarification: 1- The rationale for fitting mixed-effects models remains unclear. Random effects should only be included when residuals are correlated, typically due to the way units are sampled (i.e., randomly). I recommend that the authors either justify the use of mixed-effects models appropriately or refrain from providing a justification if it cannot be done accurately. 2- The model and analysis of the triple interaction (Figure 6) should be included as supplementary material, with a reference to it added in the main text. ********** 7. PLOS authors have the option to publish the peer review history of their article (what does this mean?). If published, this will include your full peer review and any attached files. If you choose “no”, your identity will remain anonymous but your review may still be made public. Do you want your identity to be public for this peer review? For information about this choice, including consent withdrawal, please see our Privacy Policy. Reviewer #1: Yes: Martin Alejandro Miguel Reviewer #2: Yes: Ignacio Spiousas ********** [NOTE: If reviewer comments were submitted as an attachment file, they will be attached to this email and accessible via the submission site. Please log into your account, locate the manuscript record, and check for the action link "View Attachments". If this link does not appear, there are no attachment files.] While revising your submission, please upload your figure files to the Preflight Analysis and Conversion Engine (PACE) digital diagnostic tool, https://pacev2.apexcovantage.com/. PACE helps ensure that figures meet PLOS requirements. To use PACE, you must first register as a user. Registration is free. Then, login and navigate to the UPLOAD tab, where you will find detailed instructions on how to use the tool. If you encounter any issues or have any questions when using PACE, please email PLOS at figures@plos.org. Please note that Supporting Information files do not need this step. |
| Revision 2 |
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Effects of Music Advertised to Support Focus on Mood and Processing Speed PONE-D-24-26875R2 Dear Dr. Ripolles, We’re pleased to inform you that your manuscript has been judged scientifically suitable for publication and will be formally accepted for publication once it meets all outstanding technical requirements. Within one week, you’ll receive an e-mail detailing the required amendments. When these have been addressed, you’ll receive a formal acceptance letter and your manuscript will be scheduled for publication. An invoice will be generated when your article is formally accepted. Please note, if your institution has a publishing partnership with PLOS and your article meets the relevant criteria, all or part of your publication costs will be covered. Please make sure your user information is up-to-date by logging into Editorial Manager at Editorial Manager® and clicking the ‘Update My Information' link at the top of the page. If you have any questions relating to publication charges, please contact our Author Billing department directly at authorbilling@plos.org. If your institution or institutions have a press office, please notify them about your upcoming paper to help maximize its impact. If they’ll be preparing press materials, please inform our press team as soon as possible -- no later than 48 hours after receiving the formal acceptance. Your manuscript will remain under strict press embargo until 2 pm Eastern Time on the date of publication. For more information, please contact onepress@plos.org. Kind regards, Bruno Alejandro Mesz, Ph.D. Academic Editor PLOS ONE Additional Editor Comments (optional): Reviewers' comments: |
| Formally Accepted |
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PONE-D-24-26875R2 PLOS ONE Dear Dr. Ripolles, I'm pleased to inform you that your manuscript has been deemed suitable for publication in PLOS ONE. Congratulations! Your manuscript is now being handed over to our production team. At this stage, our production department will prepare your paper for publication. This includes ensuring the following: * All references, tables, and figures are properly cited * All relevant supporting information is included in the manuscript submission, * There are no issues that prevent the paper from being properly typeset If revisions are needed, the production department will contact you directly to resolve them. If no revisions are needed, you will receive an email when the publication date has been set. At this time, we do not offer pre-publication proofs to authors during production of the accepted work. Please keep in mind that we are working through a large volume of accepted articles, so please give us a few weeks to review your paper and let you know the next and final steps. Lastly, if your institution or institutions have a press office, please let them know about your upcoming paper now to help maximize its impact. If they'll be preparing press materials, please inform our press team within the next 48 hours. Your manuscript will remain under strict press embargo until 2 pm Eastern Time on the date of publication. For more information, please contact onepress@plos.org. If we can help with anything else, please email us at customercare@plos.org. Thank you for submitting your work to PLOS ONE and supporting open access. Kind regards, PLOS ONE Editorial Office Staff on behalf of Dr. Bruno Alejandro Mesz Academic Editor PLOS ONE |
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