Peer Review History

Original SubmissionApril 5, 2021
Decision Letter - Stefan Koelsch, Editor

PONE-D-21-11175

Music and mood regulation during the early-stages of the COVID-19 pandemic

PLOS ONE

Dear Dr. Habibi,

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Stefan Koelsch

Academic Editor

PLOS ONE

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“The Brain and Music Program at the Brain and Creativity Institute is supported by the GRoW at Annenberg Foundation, the Los Angeles Philharmonic Association and the Van Otterloo Family Foundation”

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Reviewers' comments:

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Comments to the Author

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Reviewer #1: Partly

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2. Has the statistical analysis been performed appropriately and rigorously?

Reviewer #1: No

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Reviewer #1: Yes

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Reviewer #1: Yes

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5. Review Comments to the Author

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Reviewer #1: The study considers an interesting topic and the writing style of the paper is good. However the paper needs considerable work to make it ready for publication. In particular I would recommend that the hypotheses to be tested be narrowed, particularly to focus on the findings relevant to music use in COVID, allowing the statistical analyses performed to also be more focused. The focus should be well justified in the introduction. At the moment the hypotheses as somewhat vague and the statistical tests are therefore numerous and rather exploratory in nature. More specific comments are below.p.3 – Reference needed to support the definition provided for “affect regulation”

p. 4 – Mechanisms by which music listening can alter affective states – this is by no means an exhaustive list and more literature could be cited here in order to provide a more comprehensive examination of the topic. E.g. plenty of research indicates that music can also alter affective states by reconnecting people with memories or via messages of hope in the lyrics, or can re-energise via processes of entrainment, it can also provide a sense of social connection and comfort. It is also worth noting the potential for music to cause negative alterations to affective states. Also the B-MMR was apparently developed in 2012, which does not seem too recent. A more recent scale was developed by the same author as the B-MMR, i.e. the HUMS (Healthy & Unhealthy Uses of Music Scale), which might be useful to note here too. The discussion about discharge and reappraisal warrants more detail as well. Refer to literature on coping styles and their relative effectiveness. Some quite deep topics are covered very superficially here and with insufficient reference to current research. It is unclear why the topic has suddenly shifted to that of listening to sad music.

A quick scan in Google Scholar has revealed numerous papers that have already been published on the topic of music and COVID-19, none of which have been discussed here. What does the current study add to the knowledge already shared in these studies?

p. 5 – the hypotheses are non-specific and vague. Is the first hypothesis a group comparison? For the second hypothesis, which traits would be associated with which strategies and why? This has not been well set up in the introduction. The tests addressing the second hypothesis are less interesting in the context of this research because they do not seem to be specifically related to COVID-19 and therefore the gap in the literature that is being addressed here needs to be more clearly explained in the Introduction.

Methods – More detail about the online platforms used to recruit participants is needed. Please clarify whether ‘native English speakers’ were specifically recruited or whether it was sufficient that they be proficient English speakers. In Italy, at least, this might have considerably narrowed the population to mostly people who were not born in Italy.

p. 10 – For the reader it is easier if the type of analysis performed is stated at the beginning of reporting the result of each test rather than listed under separate sub-headings in the Methods section. Also please state what the IVs and DVs are and label the groups. A general report of analysis techniques can be included here, although the information on analysis of auditory features etc is necessary at this point.

p. 12 – Analyses seem to be a multiple analyses for each hypothesis rather than a single hypothesis test. As such the results are difficult to follow and seem rather exploratory rather than confirmatory. I would suggest that the hypotheses and the analyses performed in order to test them be refined and focused in order to provide a clearer pattern of results.

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Reviewer #1: No

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Revision 1

Please see the response to reviewers document enclosed in the submission package.

Attachments
Attachment
Submitted filename: Response to reviewer.docx
Decision Letter - Stefan Koelsch, Editor

Music and mood regulation during the early-stages of the COVID-19 pandemic

PONE-D-21-11175R1

Dear Dr. Habibi,

We’re pleased to inform you that your manuscript has been judged scientifically suitable for publication and will be formally accepted for publication once it meets all outstanding technical requirements.

Within one week, you’ll receive an e-mail detailing the required amendments. When these have been addressed, you’ll receive a formal acceptance letter and your manuscript will be scheduled for publication.

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Kind regards,

Stefan Koelsch

Academic Editor

PLOS ONE

Additional Editor Comments (optional):

Reviewers' comments:

Formally Accepted
Acceptance Letter - Stefan Koelsch, Editor

PONE-D-21-11175R1

Music and mood regulation during the early stages of the COVID-19 pandemic

Dear Dr. Habibi:

I'm pleased to inform you that your manuscript has been deemed suitable for publication in PLOS ONE. Congratulations! Your manuscript is now with our production department.

If your institution or institutions have a press office, please let them know about your upcoming paper now to help maximize its impact. If they'll be preparing press materials, please inform our press team within the next 48 hours. Your manuscript will remain under strict press embargo until 2 pm Eastern Time on the date of publication. For more information please contact onepress@plos.org.

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Thank you for submitting your work to PLOS ONE and supporting open access.

Kind regards,

PLOS ONE Editorial Office Staff

on behalf of

Prof. Dr. Stefan Koelsch

Academic Editor

PLOS ONE

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