Peer Review History
| Original SubmissionJuly 15, 2019 |
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PONE-D-19-19956 Is un stylo sharper than une épée? Investigating the interaction of sound symbolism and grammatical gender in English and French speakers PLOS ONE Dear Mr. Sidhu, Thank you for submitting your manuscript to PLOS ONE. After careful consideration, we feel that it has merit but does not fully meet PLOS ONE’s publication criteria as it currently stands. Therefore, we invite you to submit a revised version of the manuscript that addresses the points raised during the review process We would appreciate receiving your revised manuscript by Oct 25 2019 11:59PM. When you are ready to submit your revision, log on to https://www.editorialmanager.com/pone/ and select the 'Submissions Needing Revision' folder to locate your manuscript file. If you would like to make changes to your financial disclosure, please include your updated statement in your cover letter. To enhance the reproducibility of your results, we recommend that if applicable you deposit your laboratory protocols in protocols.io, where a protocol can be assigned its own identifier (DOI) such that it can be cited independently in the future. For instructions see: http://journals.plos.org/plosone/s/submission-guidelines#loc-laboratory-protocols Please include the following items when submitting your revised manuscript:
Please note while forming your response, if your article is accepted, you may have the opportunity to make the peer review history publicly available. The record will include editor decision letters (with reviews) and your responses to reviewer comments. If eligible, we will contact you to opt in or out. We look forward to receiving your revised manuscript. Kind regards, Marcus Perlman, Ph.D Academic Editor PLOS ONE Journal Requirements: When submitting your revision, we need you to address these additional requirements. 1. Please ensure that your manuscript meets PLOS ONE's style requirements, including those for file naming. The PLOS ONE style templates can be found at http://www.journals.plos.org/plosone/s/file?id=wjVg/PLOSOne_formatting_sample_main_body.pdf and http://www.journals.plos.org/plosone/s/file?id=ba62/PLOSOne_formatting_sample_title_authors_affiliations.pdf Additional Editor Comments (if provided): I have sent the paper to two expert reviewers, and I have also read through it carefully myself. The first reviewer generally thought that the study was well done and that the report was clearly written, but also offered some critical comments focused on the framing of the paper. They suggested that major revisions were needed. The second reviewer was highly positive about the paper and made just a few minor suggestions for points where further detail or literature could be added. In my own assessment, I agree with the reviewers that the study was well done, the analysis sound, and the report clearly written. In sum, I thought it was an interesting study that makes a clear and important contribution to the study of iconicity, specifically towards understanding the functions of iconicity and systematicity in words. The main point of concern of Reviewer 1 relates to the treatment of iconicity and systematicity. In general, I found the way the paper treated iconicity and systematicity to be sensible (following in line with, e.g. Dingemanse et al 2015, TICS), and it seems to me that the experiment with English speakers is successful at teasing these properties apart. However, considering the reviewer's thoughtful comments on this point, I believe the paper could be improved by addressing these carefully. A related issue that I found was in the definition of ‘iconicity’ in Line 64: “One possibility is that the mapping can be iconic, with aspects of form mapping onto aspects of meaning.” Without referring to ‘resemblance’ in the mapping, I don’t think this definition actually distinguishes an iconic mapping from an arbitrary one. A second point raised by both reviewers is that the literature review may be overstating the originality of the current work in focusing on iconicity and systematicity in words. For example, Lines 211-213: “while arbitrariness, iconicity and systematicity are believed to be able to coexist, even at the level of single words, this has not been tested for iconicity and systematicity.” Please consider the suggestions on this by the reviewers. Additionally, you might consider work on universal vs. language-specific universal sound symbolism, such as reviewed by Imai & Kita (2014, Phil Transactions of the Royal Society). I think it is worthwhile to be thorough in reviewing what work there is on this topic. Considering this all on balance, my official decision for the manuscript is ‘minor revision’. In your revision, I highly encourage you to carefully consider all the points made by the reviewers in addition to those I have highlighted. Please also see my minor comments below. You should not feel constrained to implement all the suggestions in your paper; but if you do not, I would expect to see a clear justification for why you did not. Minor comments: Line 90. “Notably, much of this work has been conducted with onomatopoeic words.” My impression is that this statement is not true for several of the works cited in the previous paragraph. Line 146. “ontology”. Is ‘ontogeny’ the word that is meant here? It seems the paper is discussing how these effects develop. Lines 162-165. “Lyster (39) examined a 162 corpus of 9,961 French nouns, and discovered that 81% of feminine nouns, and 80% of masculine nouns, have orthographic endings that are predictive of their grammatical gender. A predictive ending was defined as one that occurs in nouns of a certain gender at least 90% of the time.” This is confusing me. It seems that the endings are predictive 81% or 80% of the time, not 90%? Line 475. “We observed an effect of grammatical gender only for the sharp nonwords.” Please write out what the effect was. A final note: The subject headings, e.g. Discussion, are organized such that there are several main Discussion sections, when I think these should be subordinated to their respective Experiments. [Note: HTML markup is below. Please do not edit.] Reviewers' comments: Reviewer's Responses to Questions Comments to the Author 1. Is the manuscript technically sound, and do the data support the conclusions? The manuscript must describe a technically sound piece of scientific research with data that supports the conclusions. Experiments must have been conducted rigorously, with appropriate controls, replication, and sample sizes. The conclusions must be drawn appropriately based on the data presented. Reviewer #1: Yes Reviewer #2: Yes ********** 2. Has the statistical analysis been performed appropriately and rigorously? Reviewer #1: Yes Reviewer #2: Yes ********** 3. Have the authors made all data underlying the findings in their manuscript fully available? The PLOS Data policy requires authors to make all data underlying the findings described in their manuscript fully available without restriction, with rare exception (please refer to the Data Availability Statement in the manuscript PDF file). The data should be provided as part of the manuscript or its supporting information, or deposited to a public repository. For example, in addition to summary statistics, the data points behind means, medians and variance measures should be available. If there are restrictions on publicly sharing data—e.g. participant privacy or use of data from a third party—those must be specified. Reviewer #1: Yes Reviewer #2: Yes ********** 4. Is the manuscript presented in an intelligible fashion and written in standard English? PLOS ONE does not copyedit accepted manuscripts, so the language in submitted articles must be clear, correct, and unambiguous. Any typographical or grammatical errors should be corrected at revision, so please note any specific errors here. Reviewer #1: Yes Reviewer #2: Yes ********** 5. Review Comments to the Author Please use the space provided to explain your answers to the questions above. You may also include additional comments for the author, including concerns about dual publication, research ethics, or publication ethics. (Please upload your review as an attachment if it exceeds 20,000 characters) Reviewer #1: Review for “Is un stylo sharper than une épée? Investigating the interaction of sound symbolism and grammatical gender in English and French speakers” General comments: I think that this is an interesting paper which could be accepted for publication, provided especially that some more content is added to the discussion part. It is overall clearly written and well-articulated, with a sound experimental design and a good statistical approach. Data are available as well as the R code of the statistical analysis, which allows reproducibility. Beyond minor points here and there throughout the manuscript, I have a few main concerns and suggestions: - The authors consider iconicity and systematicity as two possibilities for non-arbitrary form-meaning mapping, which I find a bit problematic, since the first concept indeed points to the nature of the relationship between a form and a meaning, but the second one points rather to the fact that something occurs with a high frequency within a specific grammatical category. It seems to me that either non-arbitrary or arbitrary mappings could be systematic. I would rather keep the two notions on separate levels, which does not impact the core hypothesis of the paper - More or less along the same line, the notion of linguistic category is a bit too vague to me, and this impacts the very notion of systematicity. Does linguistic means here grammatical, or it is more general? - Both in the introduction and in the conclusion, the question is implicitly raised whether sound symbolism involves the phonological level and/or the phonetic level. This could perhaps be investigated a bit more explicitly. - It could be recalled that the notion of gender system rests on syntactic evidence, namely agreement between the nouns and other elements of the sentence (Greville G. Corbett. 2013. Number of Genders. In: Dryer, Matthew S. & Haspelmath, Martin (eds.) The World Atlas of Language Structures Online. Leipzig: Max Planck Institute for Evolutionary Anthropology. (Available online at http://wals.info/chapter/30, Accessed on 2019-08-17.)) - As for the statistical analysis, some interactions are close to being significant predictors, and this deserves some attention, especially since statisticians have been criticizing the .05 threshold. Also, I wish to see more precisions regarding the contrasts and/or the use of ANOVA to assess the overall significance of interactions of categorical variables. - I find the discussion(/conclusion) a bit lacking in depth. The first part is to me a bit too repetitive with respect to earlier sections (although it is good to summarize the findings and their context), and although there are some interesting points, I wish to get more “food for thought”. One suggestion I have, which I think could be analyzed statistically, would be to assess whether some subjects are much more sensitive to sensitivity than to iconicity, and vice-versa. - A strong majority of participants to the experiments were female, which resonates with the fact that gender was at the center of the study. Although it is likely inconsequential, this could/should be discussed. - Although the authors strongly insist on the novelty of combining “iconic” and “systematic” cues within the stimuli, previous authors have discussed the possibility that different iconic cues occurring in the same linguistic stimuli could “push in different directions”. Given the earlier comment on the nature of systematicity, and on its relationship with iconicity, one could argue that the approach is not radically new, and perhaps not original and wide-reaching enough for publication in a major scientific journal like PLOS ONE. More detailed comments: Line 40: “the effects of arbitrariness and non-arbitrariness in single stimuli”: it is understandable, but maybe it could be said a bit better. Maybe include a short discussion about languages with three genders like German or Serbian (not much is said about it in Serbian, although an experiment in this language is reported). Also, languages with many genders/nominal classes, e.g. a number of Bantu languages, could be mentioned. Lines 55: the ‘need not’ is interesting, but could you provide a bit more details about why such an interpretation of Saussure’s dictum is acceptable (this dictum is very famous indeed, but finer details of Saussure’s ideas may not be familiar to all readers) Lines 90-91…: maybe add something here about cross-cultural and cross-linguistic differences Line 94: maybe provide an illustration or two of the concept of “existing semantic information” as soon as you mention it for the first time Line 100: I am not convinced by the juxtaposition between iconicity and systematicity, since you may have systematic and non-systematic (non-onomatopoeic) iconicity… In other words, systematicity seems to exclude iconicity Line 102: The concept of “linguistic category” would require more precision here. Do you mean “grammatical category”, something having to do with the structures of the language under study, or does this include semantic categories for example? Line 108: following the previous comment, what is the distinction between concrete and abstract nouns: is it semantic? Some languages could perhaps grammatically encore the distinction between concrete and abstract nouns (I am not sure if anyone does), but there are definitely many languages which do not. Line 112: maybe you can mention “derivational morphology” here Line 113: once again, the juxtaposition of arbitrary, iconic or systematic is not really convincing to me. Lune 117-118: this raises to me the question whether some subjects would be more sensitive to arbitrariness or systematicity. In turn, this raises the question whether some of your participants were more sensitive to iconicity than to systematicity, or vice-versa. This could be investigated with your data, but you did not do it. I would be interested in knowing more about that issue. It would also enrich your discussion (see my later comments about the latter) Line 121: I would say that the articulation between the two sentences with however is not so good. Before, you are dealing with the opposition between arbitrary and systematic elements. Then you shift to iconic and systematic cues but also get rid of the memory requirement. That’s two differences, and therefore the transition is not so obvious to me Line 128: that could be another place where to mention rich systems of genders/nominal classes, with all the accompanying intricacies. Line 158: could you be more specific regarding the semantic differential technique? Line 165: widespread example: maybe rephrase Line 170: I only partially get it, could you be more explicit about the ‘portrayal in fiction’, with a possible example or two? Line 199: words: either written or orally presented? Have these two options been contrasted? Line 201: is it necessarily phonology, or could it be (also) phonetics? This makes sense especially with respect to some elements of your general discussion, when you insist on accents. Line 215: stimuli rather than stimulus? Line 221: Could the strong imbalance in favor of female participants have an impact in a task manipulating gender? Could you comment on that point somewhere? Would the comparison between males and females be possible, despite the small number of male participants? Lines 232 to 234: could you provide here the endings you used? Line 243: could the fact than 95% of the participants were female have had an influence on the classification? Maybe you could comment on this. Lines 247 to 249: the same values are repeated. Could it be a mistake? Line 266: it feels like a single practice trial was maybe not enough. Could you comment on that? Line 270: maybe you could cite emmeans here with the other packages, rather than to cite it later Line 272: please provide a reference for the “confirmatory approach” Line 277: can you explain more precisely how you simplified the structure based on the suggested number of components? Line 323: maybe you could mention some papers which have questioned the possible influence of written letters, notably Cuskley, Simner & Kirby 2015 Line 328: again, the participants were mostly female Line 330: can you give some more details about the semantic categorization task here (you provide some later (line 368), but maybe better do it here for the sake of clarity) Line 341 & 342: was the choice of two female voices in any way connected to the fact that the large majority of subjects were female? Line 344: can you explain what kind of editing you did? Line 345: I get what you did, but the connection between “one each” and the previous “two files” and “each nonword” is a bit confusing to me. Line 382 – Table 2: the interaction between Type and Accent is nearly significant if one sticks to the infamous 5% threshold. I would suggest to pay attention to this, especially since you interpret the main effects of Type and Accent. Additionally, shouldn’t main effects be rather analyzed once non-significant interactions have been dropped from the model? And more, did you try refitting the model without the non-significant triple interaction, to check whether you would not then get a significant Type x Accent interaction? Line 408: “that that” Line 419: with respect to former comments, do you at least know whether the majority of participants were once again female? If the participants were more male this time, do you think one should pay attention to it? Line 459 – Table 3: once again, the Type x Accent interaction is not far from significance – I have thus the same comments as for Table 2. Line 530: To assess this idea of attenuation, you would have needed a third experiment with nonwords without endings suggestive of gender, then measures of effect size (OR is a measure of effect size for contingency tables or logistic regression if I am right, but the values are not that easy to interpret, compared to a measure between 0 and 1 like Cramer’s V – which we don’t readily have for complex logistic regressions with random effects) for your predictors to compare the experiments and observe a possible attenuation. Maybe that’s a perspective you could mention – in addition to the weak argument that “the results we observed speak against this notion, at least in its extreme form”. Line 550: there have been arguments about the salience of angles and thus of sharp shapes, which seem to run counter to the hypothesis you mention. You may check De Carolis et al, 2018, in PLOS ONE, but given that I am one of the authors, this feels like I am trying to get citations for the paper – that’s not the case. Line 579: with respect to an earlier comment, this point to the influence of phonetics in sound symbolism, and raises the question of the respective weights of phonology and phonetics in that domain. This could be an interesting elaboration. Tables 1, 2, 3…: from what I get, you considered sum contrasts rather than treatment contrasts for your model summaries. If yes, maybe mention it explicitly. Also, I am a bit confused about the reported interactions: since you provide beta and OR, this must mean that you assess the difference between one condition (let’s say round sounding & masculine for the Type x Gender interaction, which would then mean that the base levels were sharp sounding and feminine) and the mean. This therefore does not tell you about the overall significance of the interaction, which is something a type-III ANOVA would tell you. Therefore, wouldn’t it be meaningful to (rather) report the output of Type-III ANOVAs for your models in order to better assess the significance of the interactions? (but maybe I am missing something because of the contrasts) Reviewer #2: This very well written article uses a number of experiments to explore the interaction of systematicity (gender marking) and iconicity in determining the types of non-artbirary associations that both french and english speakers make between non-words and images varying in their curviness (the takete-maluma effect) The article is well written, structured clearly, and interesting. It's nice that the authors don't get too bogged down in the exact same introduction that most articles about sound-symbolism/iconicity have, and instead focus on explaining the novel aspects of this work and how they relate to the aspects of language not typically discussed in this context Overall I have almost no specific comments about the methodology or findings - they are well situated in other research and clear, and the authors do not overreach in their interpretation of those data or the claims that they make based on their findings. The authors do however state that this is the first work exploring systematicity and iconicity at the same time, which is probably not quite true. Minimally, Nielsen (2016), in his PhD thesis presents the results of an experiment where systematicity and iconicity were manipulated together. I believe Jonas Nolle from Edinburgh also has some experimental work exploring this possibility, although I am not certain if they have been published anywhere. In the discussion, I think it would be great to hear the authors expand a bit more on whether systematicity and iconicity can be directly related to one another, rather than both being able to act as independent forces on predicting or determining word meanings. ********** 6. PLOS authors have the option to publish the peer review history of their article (what does this mean?). If published, this will include your full peer review and any attached files. If you choose “no”, your identity will remain anonymous but your review may still be made public. Do you want your identity to be public for this peer review? For information about this choice, including consent withdrawal, please see our Privacy Policy. Reviewer #1: Yes: Christophe Coupé Reviewer #2: No [NOTE: If reviewer comments were submitted as an attachment file, they will be attached to this email and accessible via the submission site. 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Is un stylo sharper than une épée? Investigating the interaction of sound symbolism and grammatical gender in English and French speakers PONE-D-19-19956R1 Dear Dr. Sidhu, We are pleased to inform you that your manuscript has been judged scientifically suitable for publication and will be formally accepted for publication once it complies with all outstanding technical requirements. Within one week, you will receive an e-mail containing information on the amendments required prior to publication. When all required modifications have been addressed, you will receive a formal acceptance letter and your manuscript will proceed to our production department and be scheduled for publication. Shortly after the formal acceptance letter is sent, an invoice for payment will follow. To ensure an efficient production and billing process, please log into Editorial Manager at https://www.editorialmanager.com/pone/, click the "Update My Information" link at the top of the page, and update your user information. If you have any billing related questions, please contact our Author Billing department directly at authorbilling@plos.org. If your institution or institutions have a press office, please notify them about your upcoming paper to enable them to help maximize its impact. If they will be preparing press materials for this manuscript, you must inform our press team as soon as possible and no later than 48 hours after receiving the formal acceptance. Your manuscript will remain under strict press embargo until 2 pm Eastern Time on the date of publication. For more information, please contact onepress@plos.org. With kind regards, Marcus Perlman, Ph.D Academic Editor PLOS ONE Additional Editor Comments (optional): Thank you for your detailed revisions and thoughtful responses to the comments of the reviwers (and me). I am pleased to accept the paper for publication at PLOS ONE -- congratulations. Reviewers' comments: |
| Formally Accepted |
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PONE-D-19-19956R1 Is un stylo sharper than une épée? Investigating the interaction of sound symbolism and grammatical gender in English and French speakers Dear Dr. Sidhu: I am pleased to inform you that your manuscript has been deemed suitable for publication in PLOS ONE. Congratulations! Your manuscript is now with our production department. If your institution or institutions have a press office, please notify them about your upcoming paper at this point, to enable them to help maximize its impact. If they will be preparing press materials for this manuscript, please inform our press team within the next 48 hours. Your manuscript will remain under strict press embargo until 2 pm Eastern Time on the date of publication. For more information please contact onepress@plos.org. For any other questions or concerns, please email plosone@plos.org. Thank you for submitting your work to PLOS ONE. With kind regards, PLOS ONE Editorial Office Staff on behalf of Dr. Marcus Perlman Academic Editor PLOS ONE |
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