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Figure 1.

Exemplary calls for the vocal repertoire of giant otters.

Calls were obtained from wild and captive individuals. The spectrograms depict frequency over time and were generated using a 1024-point FFT and a Hann window with 75% overlap. The oscillograms show pressure changes over time. a) Cohesion: contact and coordination calls. From left to right: bark, close call, contact call, contact call gradation, hum, hum gradation, hum short, isolation call, whistle, whistle double, and underwater call. b) Alarm calls. From left to right: growl, hah!, snort, and wavering scream. c) Begging calls. From left to right: ascending scream, begging call, begging scream, begging scream gradation, and whine. d) Other calls. From left to right: mating call and suckling call.

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Figure 1 Expand

Figure 2.

Signal space of the giant otters’ adult vocal repertoire defined by the first two discriminant functions.

Symbols indicate group centroids. Discriminant function 1 was mainly shaped by the peak frequency within subunit 1 and the fundamental frequency at 1/3 duration of the entire call (combined in one principal component). Discriminant function 2 was mainly shaped by the average entropy in the subunits 2 and 3 (combined in another principal component).

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Figure 2 Expand

Table 1.

Description of the giant otters’ vocal repertoire and behavioural context.

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Table 1 Expand

Table 2.

Assessment of model fit of the discriminant function analysis.

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Table 2 Expand

Table 3.

Percentage of misclassified cases in the cross-validated DFA, listing the vocalizations with which the misclassified cases have been confused by the DFA*.

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Figure 3.

Exemplary calls from neonate giant otters.

Vocalizations were recorded from one wild and one captive litter. The spectrograms depict frequency over time and were generated using a 1024-point FFT and a Hann window with 75% overlap. The oscillograms show pressure changes over time. a) Begging call-like vocalization. b) Contact call-like vocalizations. c) Distress call 1. d) Hums. From left to right: bark-like call, hum-like call, and distress call 2. e) Hum gradation-like vocalization. f) Suckling call. g) Whistles. From left to right: high whistle, whistle, and low whistle.

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Figure 3 Expand

Table 4.

Structural description of the neonate giant otter vocal repertoire.

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