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Table 1.

Factor loadings for explanatory factor analysis with direct oblimin rotation of the items describing the rewarding aspects of music-evoked sadness (N = 772).

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Table 1 Expand

Figure 1.

Mean ratings for each of the four dimensions of reward identified.

Error bars indicate standard error of the mean, ***a p-level of <.001, and *a p-level of <.05.

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Figure 1 Expand

Table 2.

Summary of the situations in which participants engage with sad music, and functions of listening to sad music in those circumstances.

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Table 2 Expand

Figure 2.

The amount of nominations for each situation-related factor underlying listening to sad music.

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Figure 2 Expand

Table 3.

Correlations between the mean ratings for the liking of sad music and personality traits as measured by the TIPI and IRI.

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Figure 3.

The most frequent emotions, as measured by the GEMS, evoked in response to sad music.

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Figure 3 Expand

Figure 4.

Mean ratings for each principle underlying music-evoked sadness.

Error bars indicate standard error of the mean, ***a p-level of <.001, and **a p-level of <.01.

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Figure 4 Expand

Table 4.

Correlations between the mean ratings for the principles underlying the evocation of sadness and personality traits as measured by the TIPI and IRI.

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Table 5.

Descriptive statistics for the acoustic and musical features of the musical pieces nominated by the participants (N = 124).

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Figure 5.

The amount of nominations for each situation-related factor underlying listening to happy music.

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Table 6.

Summary of the situations in which participants engage with happy music and functions of listening to happy music in those circumstances.

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Figure 6.

Mean ratings for each of the four dimensions of reward identified for sad and happy music.

Error bars indicate standard error of the mean, ***a p-level of <.001.

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Figure 6 Expand