Timbral cues underlie instrument-specific absolute pitch in expert oboists

• Niels Chr. Hansen ,

  Contributed equally to this work with: Niels Chr. Hansen, Lindsey Reymore

  Roles Conceptualization, Data curation, Formal analysis, Methodology, Project administration, Software, Visualization, Writing – original draft, Writing – review & editing

  * E-mail: nchansen@aias.au.dk

  Affiliations Aarhus Institute of Advanced Studies, Aarhus University, Aarhus, Denmark, Centre of Excellence in Music, Mind, Body, & Brain, Department of Music, Art and Culture Studies, University of Jyväskylä, Jyväskylä, Finland, Interacting Minds Centre, School of Culture and Society, Aarhus University, Aarhus, Denmark, Royal Academy of Music, Aarhus/Aalborg, Denmark

  https://orcid.org/0000-0003-2142-6484

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• Lindsey Reymore

  Contributed equally to this work with: Niels Chr. Hansen, Lindsey Reymore

  Roles Conceptualization, Formal analysis, Investigation, Methodology, Project administration, Visualization, Writing – original draft, Writing – review & editing

  Affiliations Schulich School of Music, McGill University, Montreal, Canada, School of Music, Dance, and Theatre, Arizona State University, Tempe, AZ, United States of America

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