Musicians and non-musicians show different preference profiles for single chords of varying harmonic complexity

• Maria A. G. Witek ,

  Roles Conceptualization, Data curation, Formal analysis, Investigation, Methodology, Project administration, Software, Supervision, Visualization, Writing – original draft, Writing – review & editing

  * E-mail: m.a.g.witek@bham.ac.uk

  Affiliation Department of Music, School of Languages, Cultures, Art History and Music, University of Birmingham, Birmingham, United Kingdom

  https://orcid.org/0000-0002-4369-4570

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• Tomas Matthews,

  Roles Conceptualization, Investigation, Methodology, Project administration, Supervision, Writing – review & editing

  Affiliation Center for Music in the Brain, Aarhus University and Royal Academy of Music, Aarhus, Denmark

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• Rebeka Bodak,

  Roles Conceptualization, Data curation, Formal analysis, Investigation, Methodology, Project administration, Supervision

  Affiliation Center for Music in the Brain, Aarhus University and Royal Academy of Music, Aarhus, Denmark

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• Marta W. Blausz,

  Roles Data curation, Investigation

  Affiliation Department of Psychology, University of Southern Denmark, Odense, Denmark

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• Virginia Penhune,

  Roles Conceptualization, Funding acquisition, Methodology, Project administration, Resources, Supervision, Writing – review & editing

  Affiliation Department of Psychology, Concordia University, Montreal, Canada

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• Peter Vuust

  Roles Conceptualization, Funding acquisition, Methodology, Project administration, Resources, Supervision, Writing – review & editing

  Affiliation Center for Music in the Brain, Aarhus University and Royal Academy of Music, Aarhus, Denmark

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