Articulatory motor planning and timbral idiosyncrasies as underlying mechanisms of instrument-specific absolute pitch in expert musicians

Niels Chr. Hansen; Lindsey Reymore

doi:10.1371/journal.pone.0247136

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Articulatory motor planning and timbral idiosyncrasies as underlying mechanisms of instrument-specific absolute pitch in expert musicians

Niels Chr. Hansen ,

Contributed equally to this work with: Niels Chr. Hansen, Lindsey Reymore

Roles Conceptualization, Data curation, Formal analysis, Funding acquisition, Investigation, Methodology, Project administration, Supervision, Validation, Visualization, Writing – original draft, Writing – review & editing

* E-mail: nchansen@aias.au.dk

Affiliations Aarhus Institute of Advanced Studies, Aarhus University, Aarhus, Denmark, Center for Music in the Brain, Aarhus University & Royal Academy of Music Aarhus-Aalborg, Aarhus, Denmark

https://orcid.org/0000-0003-2142-6484

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Lindsey Reymore

Contributed equally to this work with: Niels Chr. Hansen, Lindsey Reymore

Roles Conceptualization, Investigation, Methodology, Project administration, Supervision, Validation, Visualization, Writing – original draft, Writing – review & editing

Affiliation Schulich School of Music, McGill University, Montreal, Quebec, Canada
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Articulatory motor planning and timbral idiosyncrasies as underlying mechanisms of instrument-specific absolute pitch in expert musicians

Niels Chr. Hansen,
Lindsey Reymore

Published: February 19, 2021
https://doi.org/10.1371/journal.pone.0247136

About the Authors

Niels Chr. Hansen

Contributed equally to this work with: Niels Chr. Hansen, Lindsey Reymore

Roles Conceptualization, Data curation, Formal analysis, Funding acquisition, Investigation, Methodology, Project administration, Supervision, Validation, Visualization, Writing – original draft, Writing – review & editing

* E-mail: nchansen@aias.au.dk

Affiliations Aarhus Institute of Advanced Studies, Aarhus University, Aarhus, Denmark, Center for Music in the Brain, Aarhus University & Royal Academy of Music Aarhus-Aalborg, Aarhus, Denmark

https://orcid.org/0000-0003-2142-6484

Lindsey Reymore

Contributed equally to this work with: Niels Chr. Hansen, Lindsey Reymore

Roles Conceptualization, Investigation, Methodology, Project administration, Supervision, Validation, Visualization, Writing – original draft, Writing – review & editing

Affiliation Schulich School of Music, McGill University, Montreal, Quebec, Canada

Competing Interests

The authors have declared that no competing interests exist.

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Pitch perception
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Experimental design
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Bioacoustics
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Hands
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Teeth
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Tongue
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