Peer Review History
| Original SubmissionJuly 20, 2024 |
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PONE-D-24-30219 Crossmodal association between auditory and visual objects in rhesus monkeys PLOS ONE Dear Dr. Lemus, Thank you for submitting your manuscript to PLOS ONE. After careful consideration, we feel that it has merit but does not fully meet PLOS ONE’s publication criteria as it currently stands. Therefore, we invite you to submit a revised version of the manuscript that addresses the points raised during the review process. Please read carefully the comments posed by the reviewers and that will also address any specific concerns from my side. Please submit your revised manuscript by Oct 03 2024 11:59PM. If you will need more time than this to complete your revisions, please reply to this message or contact the journal office at plosone@plos.org. When you're ready to submit your revision, log on to https://www.editorialmanager.com/pone/ and select the 'Submissions Needing Revision' folder to locate your manuscript file. Please include the following items when submitting your revised manuscript:
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As per the PLOS ONE policy (http://journals.plos.org/plosone/s/submission-guidelines#loc-human-subjects-research) on papers that include identifying, or potentially identifying, information, the individual(s) or parent(s)/guardian(s) must be informed of the terms of the PLOS open-access (CC-BY) license and provide specific permission for publication of these details under the terms of this license. Please download the Consent Form for Publication in a PLOS Journal (http://journals.plos.org/plosone/s/file?id=8ce6/plos-consent-form-english.pdf). The signed consent form should not be submitted with the manuscript, but should be securely filed in the individual's case notes. Please amend the methods section and ethics statement of the manuscript to explicitly state that the patient/participant has provided consent for publication: “The individual in this manuscript has given written informed consent (as outlined in PLOS consent form) to publish these case details”. If you are unable to obtain consent from the subject of the photograph, you will need to remove the figure and any other textual identifying information or case descriptions for this individual. 5. Please review your reference list to ensure that it is complete and correct. If you have cited papers that have been retracted, please include the rationale for doing so in the manuscript text, or remove these references and replace them with relevant current references. Any changes to the reference list should be mentioned in the rebuttal letter that accompanies your revised manuscript. If you need to cite a retracted article, indicate the article’s retracted status in the References list and also include a citation and full reference for the retraction notice. [Note: HTML markup is below. Please do not edit.] Reviewers' comments: Reviewer's Responses to Questions Comments to the Author 1. Is the manuscript technically sound, and do the data support the conclusions? The manuscript must describe a technically sound piece of scientific research with data that supports the conclusions. Experiments must have been conducted rigorously, with appropriate controls, replication, and sample sizes. The conclusions must be drawn appropriately based on the data presented. Reviewer #1: Partly Reviewer #2: Yes ********** 2. Has the statistical analysis been performed appropriately and rigorously? Reviewer #1: Yes Reviewer #2: Yes ********** 3. Have the authors made all data underlying the findings in their manuscript fully available? The PLOS Data policy requires authors to make all data underlying the findings described in their manuscript fully available without restriction, with rare exception (please refer to the Data Availability Statement in the manuscript PDF file). The data should be provided as part of the manuscript or its supporting information, or deposited to a public repository. For example, in addition to summary statistics, the data points behind means, medians and variance measures should be available. If there are restrictions on publicly sharing data—e.g. participant privacy or use of data from a third party—those must be specified. Reviewer #1: Yes Reviewer #2: Yes ********** 4. Is the manuscript presented in an intelligible fashion and written in standard English? PLOS ONE does not copyedit accepted manuscripts, so the language in submitted articles must be clear, correct, and unambiguous. Any typographical or grammatical errors should be corrected at revision, so please note any specific errors here. Reviewer #1: Yes Reviewer #2: Yes ********** 5. Review Comments to the Author Please use the space provided to explain your answers to the questions above. You may also include additional comments for the author, including concerns about dual publication, research ethics, or publication ethics. (Please upload your review as an attachment if it exceeds 20,000 characters) Reviewer #1: The manuscript of Cabrera-Ruiz is focused on macaques‘ abilities to learn audio-visual crossmodal associations in a delayed match-to-sample task. Although the text is generally very well written, in my opinion the main focus/emphasis of the paper is not stated clearly enough. As far as I understand, one of the main achievements of the study is the new procedure for training macaques to perform the audio-visual cross modal task. However instead of emphasizing that achievement and discussing it properly, the authors extensively comment on (arbitrary) proposed models of cross-modal associations, which cannot be tested without application of electrophysiological methods. Major comments: Introduction: More information (including existing models) about cross-modal association in macaques should be provided. Line 42: The authors mention that the subjects are relatively old, which makes me think that they have experience in many other tasks. It would be good to comment whether and in what way the previous tasks, which the subjects were trained in, could affect their ability to learn the crossmodal associations. Line 49: What would be the influence of the environmental enrichment to the performance of the audio-visual task? Line 94-102 – Monkey Training: In my opinion this is one of the most important methodological part of the paper. More details should be provided regarding the training procedure. Line 146 / Fig 2C, insets: It would be interesting not just to present the FA rates, but also to show which are the most common mistakes (e.g. are monkey faces confused more often with human faces in comparison to the red oval). Lines 188-195: The authors identify 3 key findings, the first 2 of which directly follow the presented results. The third finding claims that “the monkeys’ success in forming crossmodal associations required […] working memory”, which is logical, however it is unclear how it could be derived from the results. Lines 208-212: In my opinion this is the most important contribution of the study and I think that it should be discussed more extensively. Lines 232-270: The two presented models are very interesting, however in the context of this behavioral experiment they are completely arbitrary. I am not sure whether they should be discussed so extensively without any electrophysiological data which can support either of them. Minor comments: Line 2: the sentence starting with “To find out” is ambiguous. To find out what? Line 98: probably “cue to” instead of “clue for”. Reviewer #2: Review for “Crossmodal association between auditory and visual objects in rhesus monkeys” PONE-D-24-30219 This paper assessed whether rhesus macaques can learn crossmodal associations, how they are perceiving the visual sets versus the auditory sets in those associations, and what models of visual or auditory memory might explain these patterns. They successfully trained two macaques on a set of crossmodal associations (CMAs), which is no trivial feat. Performance on the task is well presented and clearly above chance. Upon further assessment, macaques appear to treat different individual sounds of the same type as perceptually equivalent, whereas patterns of reaction times for different images suggests this might not be the case for the visual image sets. This has interesting implications for how macaques may form these types of representations, and the authors put forth some possible models for how these representations might be stored in memory to explain these patterns. I believe this experiment is interesting and relevant to ongoing work in the field. The data is compelling, and the experimental design effectively assesses their questions. There is room for improvement in how the paper is framed, as well as in the clarity of some of the explanations and data presentation, but I believe the work itself is sound, and will be useful groundwork for future studies in the field. I recommend this paper for publication, pending some revisions based on my suggestions below. General Suggestions 1) Framing of memory systems in the intro. Your intro only talks about assessing whether macaques can learn CMAs. This makes sense since that’s a major point of your study, but this paper isn’t really about the CMA learning itself. I spent most of the paper thinking about the learning and acquisition of CMAs, since that’s how it’s framed here, but you don’t really make any points about acquisition at all. So much of your discussion is dedicated to how those CMAs are represented and maintained in the brain, and using macaques as a model system for assessing these different possible neural models. You need to lay the groundwork for that here. Are there existing competing hypotheses about how CMAs are represented in humans or macaques that you could discuss here? At the very least you need to mention that CMAs can be held in working memory, or that memory is relevant to this process at all. Even some basic background about audio versus visual working memory and how they might be relevant here would help readers keep that framing in mind and not be blindsided by the discussion. 2) How you’re referring to CMAs and sets of CMAs. It took me a while to figure out how exactly your different, specific CMAs were grouped (i.e. one single coo was trained to be associated with a few different monkey images, and each of those individual associations was one CMA). It would be useful to clarify this early, and possibly give name to the different CMA type groups (i.e. CMA sets or something like that), because knowing the associations were one coo to multiple images changes how a reader might interpret the results. I know you added more coos later on, but I spent the majority of the paper thinking each CMA was made up of completely different individual sounds and images. Even the S3 table didn’t clarify this for me, as I read the list as being grouped into categories (i.e. “coos”) with the individual pictures presented, and I interpreted the letters next to each picture as specifying the name of the specific sound used with that picture, rather than as the identifying name of the picture itself. 3) CMA acquisition. Do you have acquisition data for every time a new CMA is added? It sounds like once monkey M initially learned a CMA type (the coo, for example), they didn’t take much training to learn to associate a new image with that coo (I believe you added in new individual CMA images gradually, correct? If that’s not the case then I’m misinterpreting the methods and they should be clarified). If they are in fact generalizing that single “coo” learning to new images, that is pretty compelling evidence for a learned label (“coo” means “choose monkey”, for example) rather than many separate individually learned associations. That seems like really relevant information for how these CMAs are acquired and represented, and would definitely be worth adding. You could plot the number of presentations they took to learn each new CMA image, and if they’ve really learned a category label, I would expect those numbers to drop drastically for CMAs acquired later. 4) Other crossmodal association literature. There is a fair amount of work looking at crossmodal associations in humans and animals, though it tends to be framed more towards identity recognition, that would be worth looking into and including. Here’s a useful review: Perrodin, C., Kayser, C., Abel, T. J., Logothetis, N. K. & Petkov, C. I. Who is That? Brain Networks and Mechanisms for Identifying Individuals. Trends in Cognitive Sciences 19, 783–796 (2015). 5) Arbitrary learned associations, or existing associations between animals and their calls? Because I was thinking so much about learning, I had a specific running question throughout the paper, which is whether the macaques are actually learning arbitrary associations, or coming in with existing, ecologically relevant associations of certain sounds with certain animals. I think this would be easy to fix with some additional support. If you think they’re arbitrary (and I think I agree with you), you just need to provide evidence. For example, if you have reason to believe the macaques don’t perceive faces on screen as though they’re actual macaques/humans/etc, or that you saw similar patterns even with your cartoon stimuli and the color red, or that they’ve never seen or heard cows before, or something along those lines. Specific Suggestions Abstract: Line 1: I would be careful here. Your topic of interest is symbolic crossmodal associations, but even with this cool task, you can’t really make claims that your macaques have learned something symbolic, especially since it’s a unidirectional association and you never test the reverse (i.e. see image choose sound, which would be a bigger methods challenge). Your first line is fine, because it’s true that it is uncertain, but in the second line you need to make it clear that you’re testing for a step below symbolism, just any crossmodal associations at all, and not making any claims about whether they’re represented symbolically in macaques. (see these references for more info on symbolic representations: Palmer, F. R., & Palmer, F. R. (1981). Semantics. Cambridge University Press. Deacon, T. W. (1997). The symbolic species: The co-evolution of language and the brain (1st ed). W.W. Norton.) Line 6: You say performance remained constant, but I think that undercuts you a bit. They did well, it wasn’t just constant, it was consistently high. Line 9: You say “semantic and conceptual thinking at the single-neuron level,” which doesn’t really say specifically what you mean and also is never mentioned anywhere else in the paper. I would shift this to refer to what you actually conclude they could be a model for, which is, from what I can tell, the neural pathways by which semantic information stored in memory, and later applied. Intro: Line 18: Can you add a reference from human literature to support this claim? It’s not controversial, but there is SO much research on how words are acquired in children, it seems odd to leave it out. Line 28: See first general suggestion about framing. Materials and Methods: Line 77: Stims were presented in an equidistant circle, but did the circle rotate? Was configuration within the circle randomized? How was the actual position and configuration decided? Line 84: Specify that this is just a cue to denote the start of the trial, I was confused for a moment thinking you were presenting the actual picture before the sound was played. Line 88: This would be a good place to clarify the specifics of the CMA sets. Line 100: Here for example, when you say they learned new CMAs, were they all the same type? As in they started out differentiating coos and human words, and the additional CMAs were new images corresponding to coos and words? Or were they totally new CMA types, as in the addition of moos? Results: Line 119: In S2 Fig B, there are 3 clear dips in performance that I imagine correspond to the addition of a new CMA type/additional foil stimulus, is that right? You should mark where those additions occur on the graph. Unless I’m misinterpreting and this is plotting performance once all 4 CMA types have been added, in which case that should be clarified. Line 156: They seem to have learned a category set. Coo means touch monkey. So the thing that would slow them down is potentially just how long it takes to recognize that the individual monkeys are monkeys, leading to the reaction time differences (Fig. 2 A and C). When you gave them new images with the sounds, did they generalize to new monkey pictures? This is where the acquisition data would be really useful. In Fig 2D, it seems the takeaway is that when average RTs are longer their variance is higher, is that correct? So there’s more variance in RTs when they’re taking longer to decide. I wasn’t sure what this graph added until I got to the conclusions, because it seems this pattern is the evidence you’re citing for the visual imagery model. I don’t fully see why this is evidence for that model, so I could use more clarity on that front overall. As it stands I’m not sure that I see the importance of this figure. Line 172: I would clarify that perceptual invariance is not actually an inability to perceive a difference between the sounds. The critical thing is that they are treating these sounds as equivalent (the way we treat a word as the same no matter whose voice is saying it, or a musical note as the same even if it’s in a different octave), but that they would still likely be able to differentiate the individual sounds if need be. That is an important distinction. Possible follow-up thought, I wonder where macaques draw these category lines. Would they view humans saying different words as equivalent, or would different words each have their own set? What about monkey coos vs screams, presumably those would fall into different categories, but could they learn to lump them together into categories of “monkey” and “human” instead? Discussion: Line 191: A point where you could defend that you think these associations are arbitrary. Line 193: This memory conclusion is surprising, would be less jarring if more theoretical background on this is added to the intro. Line 220: Do you report this data anywhere? Line 224-230: This explanation helped me understand why you included figure 2, I would try to bring some of this clarity up above. Line 232: Interesting hypotheses being put forth but again comes out of nowhere, add better framing for it in the intro. Line 261: How so? What makes the patten you see a better match for the visual model? Don’t both models require some amount of processing and decision making once the visual stimuli are presented, resulting in differences in RT based on the specifics of the image? Arguably converting an image to a sound to match against your representation of a sound would in fact require more processing at image presentation than matching an image directly to your existing image representation, so wouldn’t the auditory model potentially result in longer and more varied processing once the choice images are presented? Maybe I’m missing something, but it would be useful for you to explain to the readers why you think this model is a better match to your data. ********** 6. PLOS authors have the option to publish the peer review history of their article (what does this mean?). If published, this will include your full peer review and any attached files. If you choose “no”, your identity will remain anonymous but your review may still be made public. Do you want your identity to be public for this peer review? For information about this choice, including consent withdrawal, please see our Privacy Policy. Reviewer #1: Yes: Ivo D. Popivanov Reviewer #2: No ********** [NOTE: If reviewer comments were submitted as an attachment file, they will be attached to this email and accessible via the submission site. Please log into your account, locate the manuscript record, and check for the action link "View Attachments". If this link does not appear, there are no attachment files.] While revising your submission, please upload your figure files to the Preflight Analysis and Conversion Engine (PACE) digital diagnostic tool, https://pacev2.apexcovantage.com/. PACE helps ensure that figures meet PLOS requirements. To use PACE, you must first register as a user. Registration is free. Then, login and navigate to the UPLOAD tab, where you will find detailed instructions on how to use the tool. If you encounter any issues or have any questions when using PACE, please email PLOS at figures@plos.org. Please note that Supporting Information files do not need this step. |
| Revision 1 |
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Monkeys can identify pictures from words PONE-D-24-30219R1 Dear Dr. Lemus, We’re pleased to inform you that your manuscript has been judged scientifically suitable for publication and will be formally accepted for publication once it meets all outstanding technical requirements. Within one week, you’ll receive an e-mail detailing the required amendments. When these have been addressed, you’ll receive a formal acceptance letter and your manuscript will be scheduled for publication. An invoice will be generated when your article is formally accepted. Please note, if your institution has a publishing partnership with PLOS and your article meets the relevant criteria, all or part of your publication costs will be covered. Please make sure your user information is up-to-date by logging into Editorial Manager at Editorial Manager® and clicking the ‘Update My Information' link at the top of the page. 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If the authors have adequately addressed your comments raised in a previous round of review and you feel that this manuscript is now acceptable for publication, you may indicate that here to bypass the “Comments to the Author” section, enter your conflict of interest statement in the “Confidential to Editor” section, and submit your "Accept" recommendation. Reviewer #1: All comments have been addressed Reviewer #2: All comments have been addressed ********** 2. Is the manuscript technically sound, and do the data support the conclusions? The manuscript must describe a technically sound piece of scientific research with data that supports the conclusions. Experiments must have been conducted rigorously, with appropriate controls, replication, and sample sizes. The conclusions must be drawn appropriately based on the data presented. Reviewer #1: Yes Reviewer #2: Yes ********** 3. Has the statistical analysis been performed appropriately and rigorously? Reviewer #1: Yes Reviewer #2: Yes ********** 4. Have the authors made all data underlying the findings in their manuscript fully available? The PLOS Data policy requires authors to make all data underlying the findings described in their manuscript fully available without restriction, with rare exception (please refer to the Data Availability Statement in the manuscript PDF file). The data should be provided as part of the manuscript or its supporting information, or deposited to a public repository. For example, in addition to summary statistics, the data points behind means, medians and variance measures should be available. If there are restrictions on publicly sharing data—e.g. participant privacy or use of data from a third party—those must be specified. Reviewer #1: Yes Reviewer #2: Yes ********** 5. Is the manuscript presented in an intelligible fashion and written in standard English? PLOS ONE does not copyedit accepted manuscripts, so the language in submitted articles must be clear, correct, and unambiguous. Any typographical or grammatical errors should be corrected at revision, so please note any specific errors here. Reviewer #1: Yes Reviewer #2: Yes ********** 6. Review Comments to the Author Please use the space provided to explain your answers to the questions above. You may also include additional comments for the author, including concerns about dual publication, research ethics, or publication ethics. (Please upload your review as an attachment if it exceeds 20,000 characters) Reviewer #1: In my view the manuscript is substantially improved with respect to the previous version. I don't have any additional comments and I would be glad to see that this well performed study will be published in this journal! Good luck with your further research on this topic! Reviewer #2: All comments have been addressed, I believe this manuscript should be accepted for publication to PLOS One. ********** 7. PLOS authors have the option to publish the peer review history of their article (what does this mean?). If published, this will include your full peer review and any attached files. If you choose “no”, your identity will remain anonymous but your review may still be made public. Do you want your identity to be public for this peer review? For information about this choice, including consent withdrawal, please see our Privacy Policy. Reviewer #1: Yes: Ivo D. Popivanov Reviewer #2: No ********** |
| Formally Accepted |
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PONE-D-24-30219R1 PLOS ONE Dear Dr. Lemus, I'm pleased to inform you that your manuscript has been deemed suitable for publication in PLOS ONE. Congratulations! Your manuscript is now being handed over to our production team. At this stage, our production department will prepare your paper for publication. This includes ensuring the following: * All references, tables, and figures are properly cited * All relevant supporting information is included in the manuscript submission, * There are no issues that prevent the paper from being properly typeset If revisions are needed, the production department will contact you directly to resolve them. If no revisions are needed, you will receive an email when the publication date has been set. At this time, we do not offer pre-publication proofs to authors during production of the accepted work. Please keep in mind that we are working through a large volume of accepted articles, so please give us a few weeks to review your paper and let you know the next and final steps. Lastly, if your institution or institutions have a press office, please let them know about your upcoming paper now to help maximize its impact. If they'll be preparing press materials, please inform our press team within the next 48 hours. Your manuscript will remain under strict press embargo until 2 pm Eastern Time on the date of publication. For more information, please contact onepress@plos.org. If we can help with anything else, please email us at customercare@plos.org. Thank you for submitting your work to PLOS ONE and supporting open access. Kind regards, PLOS ONE Editorial Office Staff on behalf of Dr. Argiro Vatakis Academic Editor PLOS ONE |
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