Warm, lively, rough? Assessing agreement on aesthetic effects of artworks
Fig 1
Separation from lines and colors from the artwork Wassily Kandinsky, Untitled, 1934, watercolor, ink, 31.6 × 24.6 cm, Paris, Centre Georges Pompidou.
(A) Whole artwork, (B) the combination of colors, (C) combination of lines, (D) single colors and, (E) single lines.