About the Authors

Isaac D. Romkey

Roles Conceptualization, Data curation, Formal analysis, Investigation, Methodology, Project administration, Software, Supervision, Validation, Visualization, Writing – original draft, Writing – review & editing

Isaac.romkey@mail.concordia.ca

Affiliations Department of Psychology, Concordia University, Montréal, Quebec, Canada, International Laboratory for Brain, Music and Sound Research (BRAMS), Montréal, Quebec, Canada, Center for Research in Brain, Language and Music (CRBLM), Montréal, Quebec, Canada

Tomas Matthews

Roles Conceptualization, Data curation, Methodology, Writing – review & editing

Affiliations Center for Music in the Brain, Department of Clinical Medicine, Aarhus University Hospital, Aarhus, Denmark, Royal Academy of Music, Aarhus C, Denmark

Nicholas Foster

Roles Data curation, Formal analysis, Methodology, Writing – review & editing

Affiliations International Laboratory for Brain, Music and Sound Research (BRAMS), Montréal, Quebec, Canada, Center for Research in Brain, Language and Music (CRBLM), Montréal, Quebec, Canada, Department of Psychology, University of Montréal, Montréal, Quebec, Canada

Simone Dalla Bella

Roles Resources, Writing – review & editing

Affiliations International Laboratory for Brain, Music and Sound Research (BRAMS), Montréal, Quebec, Canada, Center for Research in Brain, Language and Music (CRBLM), Montréal, Quebec, Canada, Department of Psychology, University of Montréal, Montréal, Quebec, Canada, University of Economics and Human Sciences in Warsaw, Warsaw, Poland

Virginia B. Penhune

Roles Conceptualization, Funding acquisition, Methodology, Resources, Supervision, Writing – review & editing

Affiliations Department of Psychology, Concordia University, Montréal, Quebec, Canada, International Laboratory for Brain, Music and Sound Research (BRAMS), Montréal, Quebec, Canada, Center for Research in Brain, Language and Music (CRBLM), Montréal, Quebec, Canada

Competing Interests

SDB is on the board of the BeatHealth company dedicated to the design and commercialization of technological tools for assessing rhythm capacities such as BAASTA and implementing rhythm-based interventions. This does not alter our adherence to PLOS ONE policies on sharing data and materials.